As of noon on March 10, the total box office of “Hello, Li Huanying” exceeded 5.15 billion yuan, equivalent to more than 785 million US dollars, surpassing the 99th place in the global box office list, “Deadpool”‘s 783 million US dollars, and officially entered the top of the global box office list. A hundred. Among the top 100 films currently at the global box office, the domestically produced film “Wolf Warriors 2” ranks 72nd with US$870 million.
The significance is profound. Not only is there another Chinese film added to the top 100 global box office lists, but the only Chinese film in the top 100 is also the only non-English film. “Hello, Li Huanying” makes ” The figure of “Wolf Warrior 2” is not so single and outstanding. In fact, although “Wolf Warriors 2” released in 2017 has achieved unshakable box office results so far, it firmly ranked first in the total box office rankings of the Chinese film market, and surpassed the original first place on the list by nearly 2.3 billion. Box office, but this movie has been discussed since the beginning of its release. With the increase in the box office and the continuous refreshing of various box office records, there are endless debates about whether the film is worthy of such a performance and status. The quality of this movie is no longer discussed. It is undeniable that the box office of 5.6 billion yuan was accumulated from movie tickets one by one. When “Wolf Warriors 2” finally ranked in the top 100 in the global box office rankings (currently ranked 72), many film critics said that such a Chinese-language movie to enter the list is not worth boasting, because it carries too much outside film culture Culture and meaning are not worth exporting and promoting, and they cannot be convinced. Then, as “Hello, Li Huanying” ranks among the top 100 in the global box office, it can break these doubts and tell some people who oppose and cynicism or those who have no confidence in domestic films, Chinese-language movies can break Hollywood’s monopoly on film culture. , And there is no need for the addition and assistance of the “national sentiment” that some people think exist. This is undoubtedly for Chinese films to show to the global film market the powerful appeal and huge potential of the Chinese film market, and shows that Chinese-language films have the ability to continuously break the monopoly and barriers of Hollywood film culture’s influence on global films. If one shortlist is a fluke and coincidence, then two films are the beginning of trends and good shows. The road ahead is full of confidence, and we will wait and see.