I think Zhang Zhehan is more inclined to experience school, and Gong Jun is more inclined to method school. There is no absolute, just a tendency. I personally prefer the method school, but obviously Zhang Zhehan has more experience, better acting skills, more freedom in rewinding and playing, and a lot better line skills. However, there is no fault in the performance gap between the two people (if there is a fault, no one will ask this question). Just looking at the finished product of Shanhe Ling, Gong Jun didn’t lose. Their acting skills are okay for the same age, above average. I went to archaeology for their previous works. Zhang Zhehan may be a little bit salty and not short due to script restrictions, lacking impact, and feels a bit stereotyped. Gong Jun’s acting skills lack details, and his role is rough. In Shanhe Lingli, the two of them probably talked sincerely with the screenwriter and director, and then blessed them through the script, so they did a good job. The acting skills of the two of them are really not so good. Every time an actor comes out, a few pictures will say that the acting skills are immortal, and they are tired. Compared with some unspeakables, it is naturally good, mainly because it can’t be said that there is no acting skills at all. In the past few years, the entertainment industry can’t say too much, and some have been marketed as acting skills. The past two years have been better. Among the more famous niche players of their age, Dou Xiao, Zhang Ruoyun, and Bai Yu have better acting skills. Brother Haoran is fine too. But they are all considered promising in the future. I feel that fans will spray me so many people watch, no one scolds me, happy. After watching the latest 4 episodes, let’s update it. Zhang Zhehan and Gong Jun’s acting skills are half missing, one cannot get in and the other cannot get out. In acting, the actor understands the role and then expresses it to the audience for the audience to understand. Zhang Zhehan enters the role, and can even find out the details of the character and the inner logic loopholes that the screenwriter cannot take care of. It is difficult for a screenwriter to write so many roles by one person, and it is difficult to grasp each role very accurately. The actor’s own adjustment is very important. But what he conveys is not enough. Acting is not as true as possible. Otherwise, as long as you liberate your nature and integrate into the role, everyone can be an actor. The actor needs to make the audience understand the role. Comparing the two of them, Wen Kexing has so many off-court scenes, and theoretically the embarrassment value is very high, but Gong Jun’s performance is actually okay, so Gong Jun has a lot of highlight clips. His expressive ability is okay. However, compared with Zhou Zishu, the characters are a bit broken after savoring. To express with pictures, if the red line is the right performance, Zhang Zhehan is the blue line, and Gong Jun is the yellow line. The three more outstanding actors I mentioned earlier are all able to achieve the red line. Let me talk about the most promising part of them. Zhang Zhehan is very suitable for making movies. It can give him space to think about, and allow him to polish to the right shots over and over again. TV dramas don’t have this space. Gong Jun actually benefited from his character and would seize the opportunity. He said that he chose the best at the moment. Many artists have said so, but he has done very little. I believe he has done it. I watched too many actors, and I really found that the thinking in the actors is normal and there is no problem with the aesthetics. There are not too many people who know what the public likes. Zhang Niangniang has overturned recently, can you say that she is not good at acting? The older you get, the more you feel that the world is unfair. How many abilities you have is not important anymore, and how much you show is more important.