I saw this question after the performance on the 26th. In order to answer more comprehensively, BiuBiu on the 27th was very nervous throughout the whole process. From the first sentence on, the list in my mind kept ticking: still open the wheat to 100%, which is very good; The sound is more powerful and very good; it completely covers the cushion sound, which is very good; why the first time is perfect and the pitch in the cushion sound is exactly the same as the duration, it is very good; the second time after the dance break is still very stable and the duration standard, very Good; squat and get up to stretch the sound yeah has adjustment movements, but the anger sound is more stable and more powerful, very good; in the end, yeah is very accurate, very good. When I checked each item on the checking list in my mind, I saw Yu Xin’s new ending action: Suddenly, I was scared by my behavior, what am I doing? Are you “examining” or “appreciating” the stage? For this question, I found the answer I wanted, but perfectly missed every detail in the performance. Dose it worth the effort for a question like this? Absolutely Not. I can’t help but ask myself what was my original intention to like Liu Yuxin’s stage? I admire her rigorous and serious attitude towards the stage; I admire her professionalism that always puts work expression above personal display; I admire her exquisiteness in her striving for perfection and perfect control of every detail on stage; I admire her for music The aesthetics and delicacy of perception and expression; I admire her attitude towards life that puts all the power in her works. The biggest respect for performers is to feel the work with heart. Well, since I want to answer this question, I will still answer it: First of all, the way to identify the singer’s singing function is to “find the wrong”, which is neither professional nor persuasive. Secondly, you can hear these two floating notes, which can only show how real her microphone is. To tell the truth, there is only BiuBiu on the stage with such an honest “full wheat”. If it is not 100% fully open the microphone, these sounds will be turned out to the maximum pad sound perfect “reverberation”, refer to other works in the same field. Finally, the intensity of BiuBiu’s dance and the requirement to sing and dance. For a singer who has been spinning for more than a week and has little sleep time, seeking stability is the best and most professional choice. Suddenly discovered Huadian: In addition to the director’s obsessiveness with the horror road renderings on stage 26, there are many times when the camera does not keep up with Yu Xin’s moving speed. The first second is still shooting her face, the next second she is It disappeared instantly from the top, bottom, left, and right directions, and the camera had to switch back to the main road again. The 27th was much better, and the director finally did his homework in advance. But it also shows the range and intensity of Liu Yuxin’s dance. Written at the end: Passion type and control type are two completely different stage personalities. The first type is easy to capture the audience instantly, but it is also difficult to retain the audience because of the lack of details. The more professional it becomes, the more it becomes the second, but when the control is done to the extreme, it will show the best state of “passion and control”. This is the core reason why Yuxin’s stage is charming. But when the extreme situation of physical exhaustion occurs, it is only an instinctive choice to strive for control. In fact, it is also responsible and professional for the stage. Although the BiuBiu Yuxin on the 26th has converged slightly, his strength has not been reduced by half, and the details still can withstand scrutiny. As for whether he is very confident, I think objectively speaking, if you don’t look at pen-hold shooting, you can’t find it from the road renderings. answer. I hope Yuxin can sum up the experience from this concert, that is, don’t be too tired. There is a limit to your physical strength, and there is a limit to your body’s endurance. Before every performance and rehearsal, you still reserve a day of rest for yourself. Well, to prevent the problem of physical exhaustion from encountering emergencies that need to stay up late before the performance like this time.