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The film “The Eleventh” bears the shadow of the play “Six Looking for the Role of Playwright” created by the Italian Nobel Prize winner and playwright Luigi Pirandello. Movies and dramas are telling the story of how a group of people in the drama spare no effort to play their respective roles. In the first ten episodes of “The Eleventh”, all the characters in the movie are performing the social roles they should play. Ma Fuli plays a case party who is struggling to reverse the verdict; Jin Cailing plays a well-mannered market shrew; Hu Quentin plays the role of the theater troupe. The role of the director is still a mess… “Six roles in search of a playwright” begins to the end. A group of men and women on the stage claim to be characters from the script. They have their own script and have experienced their own destiny. They stepped out of the script and wanted to show the true self to the actors in the troupe, and teach them what is the reality of performance. In the eleventh episode of “The Eleventh”, all the characters in the movie no longer “play”, but they become themselves as they really are. Ma Fuli and Jin Cailing were sitting side by side in the car, feeling the happy time of the old husband and wife. Jin Duoduo was driving. At this time, there was no reversal and no abortion. The family was happy; Quentin Hu gave up the director’s signature and performed on the same stage with Jia Meiyi. In the end they kissed affectionately. At this time, there were no directors and actors, no cheating or breaking shoes, only people who loved each other deeply. In the closing scene of “Six Roles of the Playwright”, men and women and children claiming to have walked out of the script once again walked out from behind the scenes and waved to the audience. It turned out that this was a “scam” in the play, and they tore it away. With the label of “I am the person in the play”, they are ordinary actors just like the actors of the troupe. At this moment, they have all become themselves. In other words, “The Eleventh Chapter” and “Six Roles in Search of Playwrights” both talk about a proposition: role-playing and fulfilling role glory. Here comes the problem. Why do you want film and television literature and like to borrow the setting of “character”? Here is to borrow a thinking tool: self (ontology) and object-self (role). The self is myself, a natural person; the guest self is the me in the eyes of others, with a lot of dignity, emotion, self-recognition, positioning, etc. attached to it. Everyone wants to follow the trajectory set by themselves and continue to perform. The characteristic of the self is to live by, as long as you can live with peace of mind, find reasons, weave self-deception and find ways to make up for it, there is no problem. However, the guest self has been disturbed by the outside world. The problems of reputation, dignity, and the role played in life affect their ego day and night, so they all started to run for the society of the object ego. The characters are busy, so their most authentic qualities are changed by the characters’ destiny. This is why Chen Jianbin said: “Life is actually a theater. The actors on the stage are performing, and the audience is also a ‘performance’ in life in another sense.” This is the relationship between the id and the object. ——The drama is the promotion and demotion between the id and the guest. The guest performs the performance, but the performance is something that returns to the essence. From this perspective, the repertory troupe directs a drama, which is a drama, and the performer of the drama is an actor. The characters related to the story of the drama are the audience. Although they are the audience, they are the performers of their own lives. They are the “actors” of their own lives, acting with their own objects. Those who witnessed the living events-Ma Fuli, Pige… are the characters in the play looking for roles (like “Six Roles in Searching for Playwrights”, they are all looking for their own historical role positioning). When life slips and accidents happen, people want to maintain their roles and continue to perform, so there is a contradiction between the object-self (the role) and the self (the ontology). It’s like a recurring scene in the movie: the tractor sliding gear is the meaning. The setbacks in life interrupt the role playing that we are used to, and we can’t find the meaning of performing. Some characters in the movie could not find the meaning of performing, and they died, such as Li Jianshe and Zhao Fengxia; some characters used lies and self-deception to find the meaning of performing, so they continued to perform, such as Ma Fuli. People are performing their own roles, but they are all influenced by the roles. People perform their own roles and continue to play according to the script randomly set by their destiny, and they are affected by the role, and joy, anger, sorrow, and joy will come. Self is the meaning of “natural person”. People are all natural persons. No matter how others obliterate them, they have dignity and have rights and freedoms. However, living in the traditional society of the 80s and 70s, the adultery of his wife Zhao Fengxia was spread out and it obliterated Ma Fuli’s role as a human being. It was very embarrassing and obliterated his dignity as a man, so Ma Fuli would rather go to prison 15 In 1970, he was unwilling to admit his wife’s adultery. He also deceived himself, thinking that he killed Li Jianshe and Zhao Fengxia, so that he finally believed it-Ma Fuli gained the meaning of acting as a role and avoided acting by himself His character suffered a reputational injury. Although he lost 15 years of free time because of imprisonment, he still felt it was worth it because his dignity was not harmed. What Ma Fuli did not expect was that Attorney Bai told him-“Your dignity has long been deprived of the murderer!” Ma Fuli is not care, because only he knows it and truly deprives him of his dignity. It’s the wife’s adultery. He has fetched the so-called “dignity” for himself by transferring the charges and trial by the court. Therefore, Ma Fuli has not felt that he has been deprived of his dignity by the three words “murderer” over the years. Therefore, after entering prison, he is happy, and his male dignity is complete. Therefore, in Ma Fuli’s cognitive scope, his role is complete. Until a huge and irreconcilable contradiction, stepdaughter Jin Duoduo asked him to reverse the case, and his role began to suffer slippage. The movie uses a mirror to constantly show the actors of “I in the mirror”, switching back and forth between real focus and virtual focus. In addition, the role of Ma Fuli in the movie is always standing in front of the monitor, and the image of Ma Fuli is on the TV. In the movie, Ma Fuli, a poor man, is dressed in Versace. This is very funny-but it has profound meaning. It means Ma Fuli is a certain person after being illuminated by historical events, just like being caught by Medusa. The moment I saw it, like a person who was solidified into a rock, he had a fixed role to play and would not change. In the movie, Ma Fuli suffered three life slip incidents. The first time was the tractor sliding gear; the second time was the rehearsal rehearsal of the repertory troupe, which affected his role in life; the third time was when the daughter was pregnant and could not have a murderer father, he had to choose social death. Jin Cailing suffered two slips in her life. The first time she slipped was when her daughter had an unexpected pregnancy. She wanted to play her role as a good mother and her daughter’s life. Don’t become a mother too early, tie yourself a pillow, and take on this life yourself. The sliding gear. The second life slippage was that the unborn child was not allowed to bear the reputation of the offspring of the murderer’s father, so she took her husband to the theater. As the “Ma Fuli Reversal” unfolds, Hu Quentin, Jin Duoduo, Jia Meiyi, Gou Yewu, and Zhen Manyu are involved in the incident one by one. The film shows how the lives of this group of characters have accidents like tractor sliding. According to their original role positioning, how can they no longer play. Quentin Hu’s role as a director can’t go on because of bad directing and extramarital affairs; Jin Duoduo can’t go on acting as a daughter because she suffered an unexpected pregnancy; Jin Cailing can’t play the role of a good mother who teaches her daughter. She suffered her daughter’s unexpected pregnancy; Gou Yewu couldn’t continue acting because the wife he introduced to Quentin Hu was his relative, and Quentin Hu cheated on his marriage. Ye Wu in Cantonese means ostentation and gaffe after drinking. So Gou Yewu went to beat Hu Quentin after drinking, and suffered internal education punishment; Zhen Manyu’s wife could not play the role because her husband Hu Quentin cheated during marriage. ……Although they are not witnesses of the incident, they have encountered the same slippage in life, life’s accidents, and the role can no longer be played. However, “The Eleventh Chapter” is not just about uncovering the scars of the low-level people, watching them make jokes. Playing a rotten hand, letting the character shine, realizing the unity of self and guest, showing the value of ordinary life, life is difficult but can have happiness, is what the movie really wants to tell you. Ma Fuli chose to issue a death certificate, so that his natural identity disappeared and became a surviving individual. It seemed very sad to outsiders, but for Ma Fuli personally, he finally got the approval of his daughter and solved the problem of self and guest. The contradiction between me has gained stability and happiness in my heart. This kind of sacrifice itself is an embarrassing glory. Jia Meiyi-Aunt Mei is a great actor and Quentin Hu is the director Quentin. They are actors and directors. They are looking for the role core and the unity between the roles of the people in the play, as well as their own roles and their hearts. Desire to find unity. Jia Meiyi and Hu Quentin face the slippery gear on the bottleneck of the actors on the one hand, and the slippery gear on the extramarital affairs on the other hand. When Jia Meiyi found the tractor, he realized the unity of the character and the inner core of the character in the play. When they saw the “marriage certificate” on this iron plate, on the one hand, they were divorced and no longer an extramarital affair. On the other hand, Hu Quentin truly loved Jia Meiyi, understood the spiritual core of the roles of Li Jianshe and Zhao Fengxia, and completed the role and foundation. The unification of my inner core also completes the unification of the two roles in reality and the inner inner core of the self. Li Jianshe and Zhao Fengxia, when they died, had already achieved the unity of their roles and self. Others were looking for reasons and reasons, to let their roles continue, and to realize the unity of roles and self. The last rehearsal of the drama in the movie is the final climax of the movie, implying that the people in the play and the people in reality have completed their unity, obtained peace and happiness, and regained their own role glory. To sum up, in one sentence: People, must strive for the glory of their role for their role! This movie, too, everyone is fighting for the glory of their role. In the movie, the glory of Quentin Hu, played by Liu Jinshan, is that his wealth is gone. After the divorce and the division of property, he kisses the muse (the goddess of artistic inspiration) in the heart in the drama-in and out of the drama, he realized that he was born as a human being. For the glory of the role of the director. Dou Jingtong played Jin Duoduo. At the end, she rode an electric three-wheeler, and when she carried her parents forward, she was a girl who was at ease, and she was also accepted, accepted reality, returned to the family, and returned to the glory of her daughter role. The glory of Jia Meiyi played in the spring and summer is to go to the county to find the story of Li Jianshe and Zhao Fengxia, find the insider, find the tractor, and solve the confusion about the role in the heart. It is also because the story of Li Jianshe and Zhao Fengxia solves the feelings The confusion realized the glory of being a person and an actor. Gou Yewu, played by Liu Jinshan, drunk and made trouble in the theater. He stepped on the director Hu Quentin to punish him for his mistakes. With a majestic figure, he stood in the middle of the stage and sang the opera. This is his glory as a veteran of the theater troupe. . The glory of being a father, the glory of being a mother, the glory of being a daughter, the glory of being a drama actor, the glory of being a director, the glory of being a lover of living. This glory gives them the power to break through the narrowness of themselves, and finally complete the unity of spirit and reality, obtain the glory of being a role, and obtain happiness and peace. Throughout the entire “Eleventh Chapter”, there is only one character exception, Fart Brother. As soon as he comes out, he brings his own highlights, and as long as he analyzes it again, he can see that Pi Ge is the most bleakest character in the film. In the movie, Brother Pi said: When someone slaps you on the left cheek, you should also give him the right cheek. The prototype of this is in the “Bible”. Many people think that this sentence means “endurance”, but it is not. In fact, it means “to be a father”, which means a person’s true maturity, which means being close to God the Father. The mythology book says that when a person grows up as a child, dedication is the sign of maturity. Dedication means that you have taken responsibility, you have learned to give charity, you have compassion, and you become a father. So “when someone hits you on the left cheek, you hit the other person on the right cheek too” means-I’m your father. The first slap is opposition, the second slap is father. The fart brother is not thorough, he only knows how to endure and hold on, but in fact he can’t hold on the most. At the end of the first ten episodes, in fact, all the stories to be told in the movie have already been told, so why is the movie called the “eleventh episode”? The eleventh time is to leave the audience’s thinking, let the audience think about how they themselves perform to the self (the ontology) and the object (the role). The eleventh time, you are not any role. This time, I wish you success in playing yourself, get back the glory that belongs to the role, and get a unified and true sense of happiness in your heart. The eleventh time is your life. Life is a frame of film and a drama. After the scene, we each play our own roles, return to our lives, and unfold the social performances of our respective roles. If you are deceived by the character and be your true self, you will find that the bitterness you have eaten, the taste of it, is sweet, and the person who has acted has a clear conscience and is yourself. The eleventh time is a blessing to the audience. Chen Jianbin really achieved the ultimate in film art and drama art in “The Eleventh”.


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8 months ago

Fortunately, I watched the screenings in advance. What surprised me most was the characterization of the characters by Director Chen Jianbin, as if the characters in the movie are our shadow. Let’s take an example of the most successful/failed characters in the movie. Let’s take a look. Is it empathetic? The most failed moment of the role in the movie: Ma Fuli suffered a tractor slippage, and the rehearsal of the repertory troupe rehearsed his role in life. His daughter is pregnant and cannot have a murderer father. This is also Jin Cailing’s life slippage. Quentin Hu is a director and she can’t play. She has encountered love. Jin Duoduo can’t play as her daughter. She has an unexpected pregnancy. Jin Cailing is a good mother. She can’t play the role. She has an unexpected pregnancy with her daughter. Gou Yewu. Can’t play anymore because the wife he introduced to Quentin Hu is his relative, and Quentin Hu cheated during marriage, and Gou couldn’t play anymore. Yewu means ostentation and gaffe after drinking, so Gou Yewu finished drinking. Jiu went to beat Hu Quentin, and suffered internal education punishment. Zhen Manyu’s wife could not play the role because of her husband Hu Quentin’s derailment during marriage. The most successful (high-gloss) moment of the role in the movie: Ma Fuli gets her daughter’s forgiveness; Jin Cailing reconciles with her daughter; Jin Duoduo forgave her stepfather and biological mother; Hu Quentin gave up what was outside of her body; Jia Meiyi found the truth of the case. Everyone has completed the unity of the object role and the subject self. Also ushered in the highlight moment of the role he played. In a person’s life, some people have to play many roles, and some people play several roles from beginning to end. Gao Xiaosong said that before a person is born, he gets his own script and you are the protagonist. There will be moments of troughs and moments of highlights. The script is set, the protagonist is set, and the director is set. How to act is the best way to perform. The highlight of the performance is up to you.

8 months ago

This movie is a comedy type film, but it has deep social significance. My major in university is film and television, so I like to get to the bottom. After watching the screening, I went home and checked a lot of information. Here is my interpretation. , I don’t know if your friends will have the same thoughts as me after watching the movie. “The Eleventh Chapter” draws on the ideas of the Nobel Prize-winning drama “Six Searching for the Role of Playwrights”. Contains a thinking tool-self, object-self. The self is my own, a natural person; the guest self is the me in the eyes of others, attached to a lot of dignity, emotion, self-recognition, positioning, etc. Everyone wants to keep the guest self in accordance with the trajectory set by himself and continue to perform . The characters in the movie are all performing their own roles, but they are all affected by the roles. When life encounters a slippage, different people will use different ways to adjust the way they play the big role, and continue to play according to the script set randomly by fate. , Was affected by the role, and joy, anger, sorrow and joy came. Some people could not find the meaning of performing, and they died, such as Li Jianshe and Zhao Fengxia; some people used lies and self-deception to find the meaning of performing, so they continued to perform-such as Ma Fuli . Through ten rounds of deduction, the characters have reached the unity of self and object performance, and achieved the glory of the role. The first ten episodes ended, and the eleventh episode, the director left the audience to think about themselves. The eleventh time, you are not any character, you want to get back the glory that belongs to the character, and get a unified and true sense of happiness in your heart. You will find that the bitterness that has been eaten, and the taste of it, are reluctant, and the person who has acted has a clear conscience and is himself. Therefore, in the eleventh movie, the title carries a blessing meaning. Chen Jianbin really achieved the ultimate in film art and drama art in “The Eleventh”.

8 months ago

When I saw the end, I was struggling with a question “Are Li Jianshe and Zhao Fengxia right?” Perhaps such a question is meaningless. There may be many things in the world that are not right or wrong, just like accepting in the end. The “birth” of “pony”. Listening to what the old horse said on the balcony, as well as what the old man said, this may be a person’s life, anyway, we have to rely on faith, which is a unique power. The nature of the film, I think we can use the sentence Zhou Xun said at the end, “If there is no publicity from everyone, there may be no chance to make such a film.” Most of us criticize commercial films, but are unwilling to accept such good “works”. So I think I should recommend it. Maybe some places are still not clear, but I always feel that when I watch it later, I will understand more. Many, we go around and we will eventually let go of a lot. (Don’t arbitrarily I didn’t say the plot, I’m a layman, I’ll evaluate this work according to my ideas, please)

8 months ago

I am honored to watch the premiere of “The Eleventh”, which is really amazing! The scale of the whole movie has increased significantly after the completion of the drama, and the self-expression has become more abundant. It can be simply treated as an absurd comedy to enjoy the joy of watching movies, and it can also appreciate the complex emotions and human nature that really exist in real life. Each of the characters in the movie represents a class of people we can meet in our lives. Even if some characters contribute jokes most of the time, they are not just to be funny. After watching the movie, you will find that these characters have a special flavor. When you understand these characters, you can understand what the director is going to tell

8 months ago

A ridiculous comedy, the emperor has become a “ruling wife” 1. Sometimes in a scene, you will feel dizzy, a group of emotions are blocked inside, and you can’t get out, and you don’t dare to let it go. Watching “The Eleventh” is such a feeling. The process of watching the movie allows one to carefully examine this unusual state. This self-examination of self-confidence is the “hidden wealth” contained in this movie. 2. The dumb Uncle Bin comes with cute special effects. This kind of affinity also makes the audience happy to discover the truth around him. 3. In life, people’s various forms of concepts are often input into our brains by various “seniors”, and they compete and fight with each other. Often all parties have reasons. When we can’t digest these concepts, we have to say that sentence: “Just do what you say.” But is life a matter of “just do what you say”? This leads to deep thinking… 4. Will the family model be inherited? Single mother A gives birth Single mother B, after more interpretation, B leaves A and becomes an independent character in a new scene. It seems to be tailor-made to apply the logic of this drama debate to the Ma family mother and daughter. 5. The movie is divided into 11 chapters. It seems to be very long. Sit down and watch it slowly, and savor this absurd life. There is a taste of comedy in it, and you forget why the old horse is busy and fame. For the truth? Or is it for the family? It also seems to be all, as if life often forgets the meaning of life. 6. Dou Jingtong’s performance is very real, as if this story did happen to the girl next door. But looking at the whole film, I feel that her interpretation of the role makes this film lack some “high-level sense”, maybe it is too grounded, and there is a greasy feeling on the mouth…

8 months ago

To be honest, it was the first time I saw the cast of “Eleventh” and was shocked. Unexpectedly, Zhou Xun and Dou Jingtong would cooperate in a movie, and they would still play mother and daughter. The second shocking point is that Uncle Niu Ben is more than 80 years old and is still making a movie. (My impression of him still stays with Niu Ben’s participation in “Grandpa Over Flowers” and “Our Master” variety shows) I have always felt that the old opera bones are the treasures of the film and television industry, and the acting skills of old actors such as Niu Ben, Li Xuejian and Ni Dahong After years of tempering, a unique audience relationship has been formed. Let’s talk about the role names of each actor. Dapeng plays the drama director Hu Quentin in the movie, Jia Meiyi in Spring and Summer, Liu Jinshan as Gou Yewu, and Yu Qian as Fu Kusi. People who often watch movies can understand the implications of these names. The mystery. This is also a kind of fun exclusive to academic directors, which is hard to see in other movies. Chen Jianbin had a conversation with Luyu’s high-end fans in “A Date with Luyu” before. You come and I recommend movies, and both of them are some popular movies with a sense of age: from “Raisins in the Sun” From “Zhenzhen’s Hair House”, “Yamaha Fish Stall” to “Red Skirts Popular on the Street”, “Symphony of Pots and Pans”, “Female College Student Dormitory” and “Girl in Red”, movies that most people have never heard of, but Chen Jianbin Russell Jiazhen, even able to accurately say the release year and the names of directors, protagonists and characters, is evident in the research spirit of the film. On April 2nd, the second movie “Eleventh” directed by Chen Jianbin will be released soon. The pre-sale has already begun. The Douban score is currently 8.4 points. I am looking forward to discovering some director’s ingenuity and surprises in the cinema. resonance.

8 months ago

Thank you Zhihu and Quange Filming Group for inviting to participate in the “Eleventh” film viewing activity. I have seen many characters created by Chen Jianbin before. This is the first time I have watched his director’s work. Looking at the title of the film, I can’t guess what kind of story it is about. “The Eleventh Chapter” is a realistic comedy full of satire and absurdity. It is a film about stage and life. Life is like a play. Please watch it. During the post-screening exchange, Chen Jianbin said that, deep down in his heart, he has always missed the time when he studied drama and stage play at school, so he made such a movie. On April 2, “The Eleventh”, came to the theater and smiled.

8 months ago

Chen Jianbin has always been an actor I like. In my impression, he is a very rough and rough image, but I didn’t expect that when he turned to become a director, he would be able to make such a literary and interesting film. I always thought that the standard of a good movie is not only good-looking, can it give the audience more thought and can it give the audience More thought extension is also a consideration of whether a movie is good or not. From the discussion in the WeChat group of the movie watching group after the end of the film, it can be seen that the open ending of the film gave everyone a lot of room for reverie. I won’t make spoilers anymore. The Zhanghui style novel in this movie theater tells the story of an ordinary person ups and downs. Every character in it has flesh and blood and passion. Needless to say, Chen Jianbin and Brother Xun, Dapeng, Chunxia, ​​Liu Jinshan, Even Bull Ben, who hasn’t seen the screen for many years, is very brilliant. Of course, the biggest surprise to me was Dou Jingtong. Especially the long shot of him on the merry-go-round is familiar and emotional. I see pity. He has the demeanor of his mother in the forest in Chongqing. Chen Jianbin was right at the main creative meeting after watching the movie. He also appreciates it, this little girl is limitless! The ending egg is very long, don’t leave in a hurry.

8 months ago

It’s been a long time since I was looking forward to “The Eleventh”. I first learned about this film at the 9th Beijing International Film Festival. The film won two awards in one fell swoop: Best Screenplay Award and Dou Jingtong’s Best Supporting Actress Award. Later at the Golden Rooster Film Festival, the film was also screened for the first time and received rave reviews, and helped the film get a high score of 8.4 on Douban, which surpassed the Spring Festival movie “Hello Li Huanying”. Therefore, the film is a typical unreleased first fire, plus the super lineup of Chen Jianbin, Zhou Xun, Dapeng, Dou Jingtong, Chunxia, ​​Liu Jinshan, Yu Qian, Jia Bing, Niu Ben, Song Jia, how can we not look forward to this movie? ? After watching “The Eleventh”, I have deep feelings. To a certain extent, this is an author’s film, with a typical director style, but the most popular expression, this is very pyrotechnic, The down-to-earth story seems to happen around us, making this film a film that meets both artistic and commercial standards. A homicide case many years ago was adapted into a stage play by the Municipal Repertory Company. Ma Fuli, played by Chen Jianbin, was the subject of the case. The renewed mention of the old incidents caused waves of his life and family again, and he also had his own demands. Therefore, Ma Fuli was busy entangled with the drama company director-Hu Quentin played by Dapeng, while looking for a lawyer to reverse the case and seek the truth to restore his innocence, but also busy reconciling his wife and daughter-Zhou Xun played Jin Cailing and Dou Jingtong’s daughter Jin Duoduo The tense relationship, life gave him a lot of heavy hammers. ​This film is Chen Jianbin’s second work, Chen Jianbin’s debut work “A Spoon”, which embodies minimalism and maximum simplicity. But this movie is just the opposite. The film has three clues-Ma Fuli’s entanglement with the Repertory Theatre, his handling of family trivial matters, and the story behind the Repertory Theatre director. The three clues seem to be independent and form a chapter, but they influence each other in a series of links. Buckle, the role motives and results of this story line will affect the development of another story line, thus presenting a high degree of acting structure in the play. But the film is not complicated, but shows a dramatic and simple treatment everywhere. The micro-model of the entire society is presented by him in this seemingly rich but extremely simple text, which embodies a kind of structure with all the internal organs. There is a social structure of procedural-civilian-influence in the movie, as well as conflicts between upstarts, ordinary civilians, and art creators. For example, every time Quentin Hu was rehearsing, he would encounter someone “calling stop”. This structure appeared repeatedly. When Chen Jianbin went to find Jia Bing, the scene in the car was accompanied by the style of changing behind him. This feature is The film brings a lot of humorous passages, and also forms a sense of “stay” of the characters in the time change. This kind of drama setting tends to construct a strong conflict between the characters. This is a dramatic scheduling method that presents the advanced structural characteristics of the script. What is contained in the play is a progressive expression of the trivialities of life. Ma Fuli tirelessly went to the crew to express his demands, always in order to prevent others from wearing colored glasses and public opinion pressure to watch him go back and forth, but every time he was not a person inside and outside. The whole film is interspersed with stories about different versions of the tractor case from others, but in the end we discovered that even the person involved in the case, Ma Fuli, knew only one and the other. The role of Dapeng in the movie is a typical literary youth, but he is too ignorant and rejected by his colleagues in the repertory troupe. The emotions between him and the spring and summer before, seemingly simple and pure love, are in the eyes of his colleagues. Become those messy things between “male director and actress”. In your life, how much do other people’s words affect you? This is exactly the theme of “The Eleventh Chapter”, whether it is fearful for people or the face is greater than the sky. Take Jin Duoduo, played by Dou Jingtong, even if he has a pillow in his arms, he still has to perform the play. And Zhou Xun accidentally found the pillow under the other party’s clothes, but he must pretend to be unaware, because everyone in the neighborhood knew about the new addition at home. This is where the movie script is powerful. It applies the progressive expression of the script structure and tells a simple and universal topic of daily life. Of course, the achievement of “The Eleventh Chapter” is not only here. The dramatic technique revealed in the details of “A Spoon” was an unconscious expression of Chen Jianbin’s years of experience on stage. In the language of the film, he presented a crude texture. In the “Eleventh Round” it was reversed. For example, the lens of a movie. When dealing with all the big panoramas, Chen Jianbin disrupted the composition, and the edges of the lens showed a sense of “creature”, which caused pressure in the picture and became a kind of ant-like modern people. How to watch. The breath of life came out at once. This is Chen Jianbin’s “destageization” on the lens of this dramatic and structured movie. He deliberately embodies a lens effect that is very life-like, but inside his bones is the presentation of advanced drama. Chen Jianbin’s advantage lies in the fact that when he transitioned from an actor to a director, he had reached middle age and had experience in the vicissitudes of life, which determined his attitude towards the text. For the sixth generation, they were paranoid avant-garde when they were young, and transitioned to sleek in their middle age. At least when the maturity of the lens language tends to a kind of “decoration”, their intimacy with the public soil is no longer as before. . But Chen Jianbin’s experience is the opposite. First, he has half a life of sorrow and joy, and then he sees the text of the movie itself. From the small stories and characters, he sees that kind of unique insight.

8 months ago

After watching the movie troupe, the biggest feeling is: this movie is a true drama… the movie has a few small elements that are more interesting. One is that the plot is named first after the chapters of the ancient novel. Go back to the Nth chapter. In a second, people have the feeling of watching a surprise story. There is also a dramatic element. Many of the lines quoted from dramatic works will also bring a sense of drama to the perception, and the experience is relatively fresh. Also, the two roles of lawyer and Li Jianshe’s brother have completely different attitudes from different standpoints, and the saltiness of Douhua can be completely different. Isn’t this just the difference in the world? There are a lot of small ingenuities of this kind, and they are continuous throughout. From the perspective of an actor, Director Chen Jianbin contributed a role of a low-level honest person that he is good at. His performance is very stable. It is certainly not the role of an actor but the role of the director that he plays the most brilliantly. The Dapeng actor can be said to be amazing, he played a live…how easy to say is a spoiler, in short, his role is very wonderful. Dou Jingtong’s performance was remarkable for the first time. Her fans might think it was subversive when she saw it, but it was still cool. It was the first time I saw Zhou Xun like this…the middle-aged man in the market, looking closely at the aura still there. The performances of all the actors in this film are great, I won’t praise them one by one, the casting director is cheating! In fact, this movie is difficult to evaluate. I’m pretty sure it is a movie I want to recommend, but I don’t know where I want to recommend it. It’s like everything in the movie is blurred with the red cloth and red rain. , And I haven’t figured out what the director wants to express in some places. I have to think about it again.

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