I haven’t seen Chuang, and Liluxiu also got it on various platforms. When I first saw it, I thought it was a lot of fun, but it would be weird to think about it later.
Since I don’t want to come, why not just retire? But later I felt that it might be a rigid requirement of the company, and I felt that it was still acceptable.
But why are many people voting for him behind? Is it rebellious? If you want to go, I won’t let you go? Now that Lei Lu Xiu is so hot, and a little conspiracy theory, did you set up such a person who wants to retire from the beginning, and think about it in a different way? (Leo Lu Xiu fans don’t scold me, I’m just guessing)
It’s actually quite simple. The answer is: enthusiasm for anti-routines and anti-rules. The Chinese idol group audition started by “Idol Trainees” has been established in the public eye with the quarterly broadcast of Tencent’s “Creation Camp” and iQiyi’s “Youth with You” in recent years. A relatively clear and unified image and cognition. On the one hand, this means the success of program branding. But on the other hand, this also shows that the operating mode and inner nature of the program have been mastered to a large extent by the public. As for the specific content, it includes but is not limited to the following aspects. 1. In terms of ranking and debut candidates, the outside public with the titles of “founder” and “producer” is just a tool and channel to prove the popularity of players, the popularity of passersby, and the driving force of consumption. The real voting results are only used as internal The data is provided to the program group and the brokerage company as a reference factor for the selection of the group list. It cannot directly determine the result of the group, but only for the balance of resource allocation between the original company of each player and the team’s brokerage company. It can be composed of members who have the ability to attract money and the interests of each company are balanced. 2. Most of the contestants will talk about their singing and dancing dreams and musical pursuits, but it may be their original intention, or more likely the company’s planning and the impact of the general environment. After they debut as a group, they often quickly Taking the route of actors and variety shows (even some of them were actors or variety celebrities before participating in the show), there are relatively few music activities, and even NINE PERCENT such as NINE PERCENT, which rarely gathers full staff for activities.” The void is in a group”. There are of course various reasons for this. China’s idol market lacks a mature music output platform, there is no idol-specific song show, and the outside world’s acceptance of idol music is not high enough, so the market for music works is often limited to plural purchases from fans, constrained by the fan economy Monetization model. In this way, for the company, the ratio of cost to output of music production is obviously far inferior to variety shows, film and television, and endorsements-anyway, fans pay, or directly pay, or provide traffic and ratings. To improve the bargaining power of idols, then naturally the sooner the money comes, the better, and the less investment the better. It cannot be said that the company is wrong, nor can it be said that idols are wrong. This is an inevitable choice determined by the laws of the market. However, as a passerby, the lack of music activities, the dryness of music works, and the personal resources of some teams (single resource) are greater than the group resources (combined activities), which makes the players “music dreams” and “stage desires” in the program VCR. “The taste has changed–it’s a bit like a design that pleases people, and it’s a bit like an unfulfilled goal. The core values that the program team tried hard to promote, the most touching part, and the most genuine sustenance, ceased to exist. This is not a specific group or individual, but a description of an objective phenomenon. Even today, the emotions of core fans are still sincere. However, the existence of an objective phenomenon has an absolute impact on the audience’s engagement with people who are broader than fans. Although passers-by cannot contribute the multiple purchasing power of core fans, they contribute to the number of clicks on the show, to the topic of the show, and to the “passerby” of the players (the contact surface of film and variety shows is much wider than that of idol fans. This is very important in terms of the field. Passersby may not become fans, but they may become ANTI’s company judgment, but it is very important. Therefore, the objective phenomenon, as well as its impact on passersby and spectators, is gradually consuming the positive attention that these players receive. Passers-by have gradually mastered the above-mentioned various routines, and also understood the inherent game rules of the show. No matter for the players, the show, or even the value of the group quota, they have become no longer interested. Last year’s “Creation Camp” and this year’s “Youth Have You” were very popular, while this year’s “Creation Camp” used the combination of “starting to make players make a fool of themselves, and then taking CP DRAMA, mixing stage quality”. , Just broke the circle successfully. Liluxiu is an extremely anti-routine existence in the eyes of passers-by in the audience. There is no company, and they don’t want to participate. They are arrested to gather the number of people. They never talk about any musical dreams and stage aspirations, and are constantly interested in this job. Exhibiting fatigue. This sets him apart from most of the players, and is closer to the passers-by and the audience themselves, closer to their reality when facing work. The state he showed in the show is a rebellion against the rules of the audition program, which makes people feel a rare trace of truth in the show. And his closeness to the audience state also allows his own existence (compared to other players) to make the audience feel. I felt a rare trace of reality. On this basis, it also benefits Lu Xiu’s character advantages shown in the program. Although he has no motivation, he has a sense of responsibility to other players. Although I don’t have dreams in the entertainment industry, I have feelings about the dreams of other players. When he practiced “for others’ dreams” and said “I occupy this position, there will be others who are more worthy”, the audience can touch his excellent empathy and self-awareness. And even though he lost his face, he grinned at NENE Zheng Naixin’s “give me a smile” request, and showed the audience more realism than love, not only the handsome reality, It is even more irresistible to beauties, which is in full compliance with the reality of the person in the Weibo “added 1000 beauties”. This allowed him to add another layer on the basis of “making the audience feel the truth” and became “making the audience feel the truth of the beautiful side around him”. As a result, the contestant who reads Lilu Xiu and writes Wei Junhao, for the audience, undoubtedly becomes a similar existence to the first year “Idol Trainee”—freshness, realism, no rules and no routines. sense. It is only natural for him to get the attention and social discussion of high passers-by like “Idol Trainee” back then. However, we also have to see one fact: Lelouch’s current discussion and friendliness actually come to a large extent from the contrast he brings to others in the program. It is the sense of contrast between routines and rules that highlights his truth—real character and moral character. The sense of reality brings freshness and acceptance. However, once he really makes his debut as a group and starts performing activities in the showbiz, then this kind of contrast to the show will disappear, and his statement that he “does not want to form a group” will be questioned and seriously shaken as a marketing plan. When the sense of reality did not exist, Lelouch’s aura for the public disappeared, and after he was relegated to the same level as a common artist, what was left? It is a poor stage ability and a relatively introverted desire to express. This obviously cannot bring the public’s goodwill towards “artists”. This is quite similar to the experience of AKB48. At its peak, AKB48 took the veteran members who had persisted in the hard and pioneering period as the core, and exported the values of “dream and persistence” to the outside world, and the reality of “not disbanding early” has definitely convinced ordinary people. The public, let them believe in their aura. When the dream comes true, the members are gradually replaced by newcomers, and the combination in the eyes of the public no longer has this higher level of halo filter than ordinary artists. So, what is AKB48 without the filter? It’s just a group of girl idol groups whose singing and dancing skills are below the standard. There is no special advantage in the idol Warring States era when the group blows out. Therefore, it is normal for the combination to return to the home culture circle of core purchasing power. Of course, based on Tencent’s consistent business judgment, the chance of Lee Road Xiu’s debut is not very high. It is impossible for Tencent to know the consequences of letting him form a group-passersby will be shaken or even backlash, lack of business capabilities, and only disadvantages for the group. Instead of making a debut, relying on the heat to do a good job of purchasing business is a better way out. For everyone, Tencent’s “black box operation” this time may be their only “multi-party win-win situation” in the history of the “Creation Camp” program. What I am afraid of is the “conscience discovery” of Tencent. When they need to operate, they are “fair” instead.