Visual inspection will not. Because Tang Dynasty dramas have too much choice, no lack of mouth, the quality of the drama is high to a certain level, or it is particularly novel and interesting to make it out of the circle. It’s not that poor Baba, no serious drama can only be endless filming the Yang family general Bao Qingtian, the Song Dynasty who was very hungry. It is possible to be not picky eaters when this drama is thrown into the Song Dynasty. (Yes, just let the “Da Song Gong Ci” lie down with the gun…) Besides, this thing about Xuanwu Gate has been tumbling and filming countless times, and it really feels like nothing new. The drama “The Rule of Zhen Guan” is a bully. Let’s just talk about Changgehang’s best looks and emotional scenes. There are too many jewels in front. Rebami, shredded pork, handsome, and handsome. But the beauties of Tang opera can be arranged from Tiantongyuan to Gaobeidian. Don’t be too antiquity, Chen Hong in “Daming Palace Ci”, Shen Aojun in “The Love History of the Tang Dynasty”, and Yuan Li “The Conjecture of Famen Temple”. These three pushed Princess Datang to the apex of dignity and dignity. If you have a delicate spirit, Master Zhou is here. The taste is special, and you can also see “Zhen Guan Long Song”. Just a play of “Daming Palace Ci”. You like Xue Shao for the party, you like Zhang Yizhi for evildoers, Tai Zihong for melancholy, Li Dan for quiet, Wu Yousi for fun, amusement for small lovers, and screenwriter appearance for foreigners. Turkic prince. Wang Tao, who focuses on playing Li Dan, has mediocre features, even a bit like Bao Beier, but has an unusually quiet temperament. Yuan Li, who throws a face in the Famen Temple, does not make people feel unworthy of beauty. All in all, the most indispensable in Tang opera are all kinds of beauties. You talk about love. Some are serious and some are not serious. There is no need for Xue Shao’s death-defying long-term defense, nor the inconsistent drama between the prime minister (crossed out) and his sister-in-law. The two monks have raised the threshold to the sky. There is everything from thinking about human nature to ethical guidelines. “Famen Temple Conjecture” can also give you the idea that three lives and three generations will not be together for generations. The last Tang drama that went out of the circle (Gu Ou Romance) should be Datang Pesticide. It relies on two pairs of CP torture and good acting skills. There is really no Tang drama before this abuse method. It is a novel and interesting routine with good quality. (Although “Famen Temple” is abusive, the kind of open-minded and persistent abuse is totally two flavors.) Now in Long Gexing, the only thing that can be expected is how to write the relationship between the prince Yu Dang and the new emperor and the grassland. Other than that, there is really nothing special. To be bright, Reba can’t be bright on the run. If you want acting, the drama is dubbed, so what kind of acting will you talk about? For the script, the comic was not finished, and the screenwriter had to tear it up a while ago. It’s difficult for bg to get out of the circle for feelings. I just hope that the logic is reasonable, after the elimination, stop and stop the broadcast, watch it for a good time, and tear each other out a little bit less. After all, none of the 5 protagonists in this play is a fuel-efficient lamp. After two episodes, the Yan pressure draft is in the first round. It really tears out of the circle, and what does it have to do with the explosion?