Several of the new episodes in April this year have not been broadcast according to the Japanese broadcast schedule. For example, “If it’s called love will be disgusting” in Japan, it was launched on March 29, but it was only launched on March 31 at station b. “SSSS. Electro-Optical Machine King” was broadcast on the evening of April 2 and not online until the afternoon of April 4; “Vivy -Fluorite Eye’s Song-” was broadcast on the evening of April 3 and not online until the afternoon of April 4
Currently, the new April fans that are online at station b have registration numbers. Does this mean that Japanese animation on domestic platforms has entered the era of first review and broadcast?
The overseas market is half of the Japanese animation market in recent years, and the domestic market is half of it. My uncle has been doing it for so many years, so he won’t make a lot of money and greet this member’s money. It can only be said that investment is risky, and you need to be cautious when entering the station. , Any platform is the same. I have to say that the “Rebirth without a Job” event that was raging some time ago proved that animation has reached the point where it has to be out of the circle. The two-dimensional culture is gradually shifting from non-mainstream culture to mainstream culture. According to our “big government” tradition, Administrative forces must have a process of gradual intervention. As the saying goes, the second dimension is not a place outside the law. Some people say why you don’t care about Weibo Fanquan, because Fanquan is a very mature network layer, and it’s clear what’s going on inside. Two-dimensional is not. In the past, some scholars in our country divided Japanese animation into three categories: militarism, commercial pornography, and Hayao Miyazaki. It is definitely out of date to develop to this day, so you must watch it carefully. The big government’s view is actually censorship. This review has something to do with the national comics, but it does not mean that it is mainly for the protection of the national comics, but out of management traditions and management needs. Is there any benefit to doing this? There are also benefits. For example, if an animation has a version number, it will have a “customs clearance document”, which can be formally used as an imported cultural product to compete against domestic animation, just like today’s mobile game circle regardless of home and abroad. The integration of the outer double circle can increase the criticality of the audience, eliminate the fluke and ungrounded creative attitude of some creators and investors, and bring new opportunities and challenges to the development of domestic animation. The Japanese side must also adapt to the domestic market more. It is not enough to put on a posture of exporting culture and waiting to collect money. This can also shock the homogeneity of Japanese animation. American Netflix smashed money, and China’s huge market is waiting to be fed. How to eat Chinese official salt cannot be ignored. The truth is still the same. Is it not fragrant to make money? As for the disadvantages? For capital, official food is delicious; for ordinary people, official food is not delicious. There is a kind of cold that makes your mother think you are cold.