“The Burning of the Sky” is an attempt by Yang Zhi to transform into online literature. Compared with his other works, it has some advantages, but the shortcomings are also very straightforward. The so-called Kyushu fans look down on you and don’t pay attention to them. They don’t understand what Yang Zhi is wrong with. The reason why his works are so deformed is also related to his book fans in a sense. Question: What has always been the problem with Jiangnan? Answer: His length is not long. Question: Why isn’t the length stretched? Answer: Nuclear small. Is nucleus a disease? Absolutely not. However, if the nucleus insists on lengthening, it is a disease. What is mixed in this is Yang Zhi’s paranoia of beauty. 1. Elongation Find two big tome and talk about elongation. Have you seen “Harry Potter”? What story is it telling? Summarize in one sentence. The story of a kid named Harry Potter who entered the wizarding world and grew up. What about “Lord of the Rings”? The packing and shipping history of a ring. The commonality is that there is a solid growth line in the middle. The child grows up year after year, and the ring goes from one piece of land to another. The child will always grow up. It is impossible to retract or jump to grow. The ring is It is directly a dead thing, and it is more stable than a child growing up. This kind of stability is the basis of modern novels, and I can take another example of web articles and share them. Traditional writers want to finish their books based on the logic of large and small stories. If they are not careful, they will collapse. This is the reason why many traditional writers do not write long. Web writers usually use story logic plus a game logic. After the original story is stretched, the story logic is not stable enough. Pull an auxiliary line and follow the game logic as the standard. The main base is from lv1-lv10, and the character level is lv1-lv100. So I have a piece of the story logic that is not well written, the characters The growth of the game is broken, or the plot design is not interesting enough, the game logic can be replaced in it. The character’s growth is not good, but the character level is from lv3 to lv4. If you think I didn’t write it well, as long as you don’t write to the extent that you can throw the book directly in the lv3 to lv4 part, you will always There is a chance to make up. The advantage of doing this all the way is that it can ensure that no matter what happens in the middle, the book can be finished, regardless of life or death-because the character lv100 is the sign of completion. Many web writers have made this thread explicit because their readers are impatient and they need the pleasure of growing up explicitly. Traditional people have more techniques and more subtle emotions, and they are willing to make it implicit. But the key point of elongation is that the nucleus has stability, which is an unchanging law. Second, nuclear small. After talking about lengthening, let’s talk about nuclear small. Small nucleus means that the nucleus tends to be beautiful rather than stable. What has Yang Zhi been writing? In addition to his elder sister’s obsession, my brother has been writing the story of a child who endured hardships and finally became a hero, and then drew his sword to life and death. Many novels seem to have this thing. In “A Song of Ice and Fire”, there is a night watchman’s oath, “The long night is coming, I will watch from today until I die.” In “Heroes”, there is a decisive battle between Xiao Lu Bu and Han Yi. Wu Dingyuan, he is a man of few words, knowing that he is invincible, and his clothes are taken off: “Help me bring a message to Erniang, Xiao Lu Bu won’t go back to celebrate the New Year!” In “One Piece” there is a white beard Edward on the top of the war declaration: “The old man is a remnant party in the old age, and there is no ship that can carry me in the new age!” In “Naruto”, Jiraiya is nine feet tall, has three thousand white hair, and has a firm personality. Yurencun lost an arm and was nailed to the ground by a former disciple. He worked hard several times and said, “No way, the frog at the bottom of the well, buried in the sea?” He smiled, and then never got up. These things are extremely beautiful, but you find that they are essentially plug-ins. The epics are magnificent, regardless of personal life and death. In the inheritance, Naruto Uzumaki has taken over the responsibility and courage, while Luffy is still looking for one piece in the sea, and the stories of others can still continue. But Yang Zhi’s story is not good, because this is his end. He is me and wants this scene. As long as this scene, except for this scene, other work can be regarded as my groundwork and aftermath. This is the driving force behind his creation. So you see Yang Zhi’s stuff is always a novella with high probability, ranging from 30,000 to 100,000 characters. He has written “Spring Breeze Liu Uehara”, “Shanghai Fortress”, and “Wings of Mourning”. , These are his works with a high degree of completion and level display. why? The commonality is that the length is short, and after a few turns, he can get what he wants. Liu Uehara ran wild in the alleys, Jiang Yang was silent in the movie theater, Lu Shanyan and Li Wuyue explained the courage of human beings… Yang Zhi initially built self-confidence and established an understanding of writing through these works. Third, the nuclear small plus stretches. The shortcomings of the nuclear small are roughly as follows: 1. The nuclear small can’t do long length 2. The ending of the nuclear short story will be locked by the United States 3. The nuclear small plus elongated will develop the oily habit. 1. The so-called inability to do a long story means that when that scene is finished, he will transition it to another scene and draw the sword again. In the two adjacent draws of swords, the story often failed to advance effectively because there was no stable line for him to push, only the short line of beauty. To mention here, the beautiful things are usually short. Basically, only some heavenly wizards can break this truth. Jiangnan is obviously not among them. When it comes to some theories, I will not go into details. You can make a simple understanding like this: Liang Shanbo and Zhu Yingtai are short, Romeo and Juliet are short, a love story writes 1,000 chapters, and in the end both the hero and the hero are dead. It is impossible for readers to accept the butterfly on the head of the grave. A hero is always short of breath, and his children will grow in love. Do you think “The Legend of the Condor Heroes” talks about Guo Jing, but in fact it talks about the times and the spirit. You think “Lu Xiaofeng” talks about heroes and prodigal sons. In fact, it is the collection of Lu Ermos’ detectives, which is infinitely flowing. . This is their capital to stretch. Only “The Sentimental Swordsman Ruthless Sword” is based purely on Li Xunhuan’s personal, so Li Xunhuan disappears as soon as you finish reading, leaving only Ye Kai and Li Huai on the rivers and lakes. It is impossible to write 1,000 chapters, let alone six books, for this kind of gadget purely based on personal shaping. A child has gone through hardships and finally turned into a hero, drew his sword to life and death with a powerful opponent. You are destined to only work hard on the part of becoming a hero after hardships, and it is impossible to move too much on the ending. The audience can tolerate the hardships. They are reefs, waiting for the waves of the plot to wash away again and again. The waves may occasionally pass his head. They will be excited when they encounter this situation, but they absolutely cannot accept it. The thing is-I was washed away. So in a sense, I have never seen an author who can dance on the tip of a knife better than Boss Yang. The characters are indeed in three points, but no matter how good you are in emotional control, this is also an area that is prone to problems. No matter how hard your soft power is. When you did it, but the sword hasn’t been drawn yet, what do you do? This is about “Dragon Race” or if you draw your sword too many times, what should you do if you don’t have any sense of it? This is to say that “The Burning of the Sky” is similar to these shoes that Yang Zhi often walked by the river. “Jiuzhou” can be regarded as half-successful in drawing the sword by Lu Guichen, “The Burning of the Sky” means more sword drawing, and “Dragon Race” is completely out of control after drawing the key once. Isn’t Hercules a hero? You always think about the broken Prometheus, what is Sisyphus doing? “Don’t take it directly, but rather ask for it in music.” This is caused by Boss Yang’s paranoia about beauty. Hercules is infinite in his eyes. It is not beautiful. Sisyphus often can only be done by God. He can’t, only Staring at Prometheus to death. 2. After the trend of the beauty of the ending is set, the endings of the sword-drawing story are basically counted. There is no such thing as two paladins fighting against each other and fighting for three hundred rounds. You haven’t cut out a Ziwu Maoyou, the audience said sorry, I go to the bathroom, whoever wins for a while, tell me that this won’t work. a bit! I fucked him to death, put the little sword in the bag, and wandered the rivers and lakes ever since. This is one kind. After a few rounds, I ended up with the big bad guy opposite. At the funeral, there were people around me, there were flowers, hymns, and girls who I liked crying and crying. This is another way. There is also an open type. The other side was fiercely forced, but buddy, I drew the sword in the sunset, don’t worry about who we are doing, I’m very anxious, something is going on, don’t ask me, I can’t answer, I rushed first , Fuck it! These are the three forms of the so-called beauty ending. In fact, if you observe carefully, Yang Zhi’s book has never escaped from these three endings, except for the complete writing. 10 times 20 times, it will always be tiring. 3. Distortion after the defect. What should I do if I want to stretch short things, stretch the lack of stable lines, and the things are not true? What do you rely on to fill the gap in the middle? Answer: Idle pen, massive. There are so many supporting roles, everyone draws their swords, draws a cool. Chu Zihang came once, Yuanzhi was born once, Lu Mingfei was destined to have one, and Ange’s also made up for it. Plot design, scene composition refinement, refinement, and refinement. This was originally a scene that he was constantly performing in his heart. How could it not be exciting? With the aesthetic of the post-70s generation, he can write this wonderfully with his pen. But after doing this, there will still be a few headaches. (1) Because there are too many idle pens to catalyze feelings, this part is heavy, and he avoids the realistic part. Like the previous novellas, he antelopes horns, and then he wants to combine with chat and fart (you don’t waste a little bit of it) )…… So the story is often more difficult to push, top-heavy. Other people’s things have always brought joy in sadness, and sadness in joy, but Boss Yang’s book has always been divided, and sorrow and joy are distinct. Sadness is used to catalyze emotions, and joy is used to transition. This is the usual method he practiced in “Dragon Race”. You read other people’s books as books, and reading Boss Yang’s books is like clip art. Reading other people’s books is to fall in love. From holding hands to getting married, reading Boss Yang’s books is like constant sex, come and post, take a break. One more shot… good-looking but not good-looking, this is Yang Zhi. (2) Other books talk about events with people as the main body. Boss Yang is very good at writing people and is influenced by the so-called beauty, so his book will repeat people’s emotions before and after. The main part of the story is the stitching strange, half human and half affair, which raises the importance of human beings. Caused a situation of overcrowded and troubled children. A two-dimensional supporting role can be made into a three-dimensional, and a more troublesome structure will directly create a new contradiction. When the person writes it out in the end, it will not be used. In this way, when he tells the story later, in order to balance, he fills people in the gaps where things can be inserted. In an event, there is a person who can be taken with one stroke. Because of the heavy emphasis before, he has to carry it all the time, and the whole appears. The situation of the porridge behind the front puzzle. Take an example from “Heavenly Blaze” Why did Master Fabio appear? This person was an unpleasant person at the beginning, and was born to shape the academy’s competitive atmosphere. How to solve normal online novels? The face was smashed to hide him directly, and when it was time to use it, he was used as a catalyst for a vicious event, and it turned out to be completely dead. The traditional method of the author is often to press the protagonist and put it there until a small climax is turned over. This is definitely more comfortable than online writing. Where is Gangnam? It’s more traditional, but in the tradition he still uses fancy styles. So with Fabio’s self-sacrifice, he transformed himself into a positive figure. In the past, the audience was depressed and repressed, but now this process has become repression, Fabio’s transition episode, and other bursts. This completes the delayed gratification. On the main line, the audience’s sensory needs are one layer higher than one layer. This time you broke Prometheus, and next time you should go to tear down the wall of the hub. Scene after scene, there are always scenes waiting for you that you can’t satisfy. This is called Jianba. Secondly, Yang Zhi will not write about the more courageous in the war. His thing is the electrocardiogram. It is pressed down, fluctuated, fluctuated after pressing down, the so-called “beauty” scene after scene, so you see that after the outbreak of Cizell, the nervous system is immediately damaged. It directly violates the law of web writing. In the end, don’t you think Fabio happened to die in the crevice? It didn’t happen to him. I used to focus on plotting a little bit more for plotting. Now I have a need for opponents. Hey, it just happened to be usable, so let’s plug it in and kill it. If I kill it, I won’t do it directly. Turn over the flowers. This is an eight-pole supporting role. You play like the protagonist. The plot seeks to make the best use of everything. Is the main line hurt for various reasons? Does the impression of human manipulation become heavier at once? This is the sense of puzzle. It is the fault of complete perfectionism. (3) Obstacles to film and television. For him, so many pens and inks are used to mobilize emotions, plot plots, and detailed scenes. When it comes to film and television, there are not enough pens and inks to guarantee the story, plus it is not realistic. The people on the film and television side must be dumbfounded, because a rooster wants to lay eggs, not his job, he wants to do it, he finished laying the eggs, and the plot of the scene is fine, so what should I do? Double obstacles. Fourth, tear down the long-form works. 1. “Kyushu” When writing Kyushu, realistic feedback told him that he should be satisfied (people’s literature has been published, you are also satisfied with you), but he can feel a lot of power when he writes, such as Lu Guichen The character’s spirit is too thin and elastic. At the end of the twists and turns, it feels like the face is falling, and the sword is not drawn. For example, “Kyushu” is very tortuous as a whole, it is a zigzag line, not round enough, and heavy puzzle. So you saw the declining boy in “Dragon Race”, the constant rough nerves and a lot of daily funny. This is Jiangnan’s improvement, and this improvement has indeed reached its peak in “Dragons III”, and it must be considered a success. But the chronic problem of being obsessed with the United States is still there. At this time, the wave of online writing came, and he began to prepare to transform to online writing. 2. On “The Blaze of Heaven”, he tried to transform the structure to the net text, which was the closest he saw to success. However, his own technology is in conflict with online writing. (Partially traditional) he refuses to abandon these advantages, nor can he accept the crudeness of online writing (improvement of structure). On this basis, the short, flat and fast Internet writing is emphasized. “It’s fast, short, but uneven. This is one of the biggest flaws of “Heavenly Blaze”, he refuses to give readers a breather. The Duke of Poison, “The History of the Decline and Fall of the Roman Empire”, and mecha elements can be digged a lot, but the buddies are still obsessed with drawing swords and can’t put down their hoes. The number of draws is too high. Not only does he don’t want to write anymore, he is not pleased with old fans, but he makes a difference when facing newcomers. But in my opinion, the problem of pulling the sword is his old problem, then this is a very real attempt by him on the web. He just didn’t level it, but we can see him in “Dragon Race”. There are some “flat” techniques, which are very good. Therefore, the core rupture of “Heavenly Blaze” is that the protagonist Bolkin was useless. He could have become a lunatic protagonist. He didn’t dare, or could not do it. He followed the traditional model, Bolkin’s archetype, and focused on the mysterious power struggle, which suddenly made the character of this character deep, and there were not so many “happy” as “ping”. The means used. In fact, he can avoid digging into the prototype, and there are many elements to write, but he did it all, which is typical of wanting everything. The result of this is that the short period can’t get up quickly, the short period is limited, the quickness is limited, the period disappears directly, and the novel is like a jumping machine. But at least this direction is worth working on. 3. “Dragon Four” and “Dragon Five” are the process he continued to transform into online texts.What’s wrong with them? First, the starting point is too high, the previous problems are also there, and it can’t come down. Second, in “The Blaze of Heaven”, he thought he had failed. From here, he changed from a relative drastic change to a subtle change, so the result was even worse. A large part of this is praised by his book fans. In the past, he didn’t pick when he had a problem, but he didn’t pick when he had a problem. Because they are all greedy for that “shuang”. When something goes wrong, look for the cause in the content, saying that it’s not like that or that. But in fact, Yang Zhi has always been like this. His paranoia has made him a strong soft power, and his paranoia has also destroyed him structurally. He is a person who has been writing books for himself. If you think it is good, it is useless. He has to think it’s good. In addition, it is really difficult for me to say that nuclear small is not good. I always think that this thing is enough, and it can be said that it is very applicable in the middle part. But there is no way, it needs to be cooked properly, it needs to be elongated. Nuclear small is a chronic disease, elongation is just needed, and it is destined to split. This is a structural problem. If it is not changed, it is destined to open the gate. V. Prospects Generally speaking, I have expectations for Yang Zhi. You see, I think so. After Yang Zhi 70, after 50 years, his hormone secretion level has dropped. If he writes a book, he will not be so paranoid. Now he is no longer a fan of probabilities. The above will not be as fascinated by one’s existing technology as before. Maybe there is a good book…I can leave it to my baby. But what will my baby’s generation like…Will the post-70s aesthetic be out of date? Hahaha. In short, “The Blaze of the Sky” is not that bad, and he is not the type who doesn’t work hard, he is just too paranoid. Good luck.