For those who are engaged in writing work, the leader’s requirement at the time of entry is to have original ideas every week. It has been 4 years since I have been doing this, so seeing Riki is quite sympathetic. As creators, the first step in creation is to choose the topic, and the second step is to accumulate materials. Before each article is written, it takes at least two days to collect, consult, and verify the information, and sometimes related writing papers, so After writing for so many years, I have developed the habit of not having more than 10,000 characters and not dare to write, which is almost obsessive-compulsive disorder. As a senior choreographer, Riki has almost become his daily and instinct collecting materials. This has actually been revealed from his earliest issues of the Oshima Diary: He himself said that what he usually likes to do is ” “Human Observation”, observing people’s modality and actions, these can become a material library for him to express different characters, different images, and different emotions. Of course, he is not only learning and imitating humans, animals, especially insects, but also the material objects he uses to enrich the database. A real strong person is always humble, because he is deeply aware that no matter who he is, he has something to learn from. Although these people may not dance as well as him, they are more or less good at things they are not good at. This can be seen from his first issue of the Dadao Diary, where he learned Mongolian dance from Xu Shaolan, and from Hu Yetao and Xue Bayi’s dance poses on the stage at the beginning. It shows that he has been observing the stage since the beginning and which dance moves he thinks are comparative. Fun, learning, and then digesting it into your own dance language, and finally completing a choreography. Riki’s Oshima Diary, apart from being a ghost in that issue, can almost be said to be his study diary. Whether it’s learning singing from Andy, or learning cello and guitar from Ren Yinpeng and Zhang Jiayuan, he has almost always been in the camp since entering the camp. A state of learning, this is rare among campers, so he has been growing, but it is not so obvious that he is covered by his own strength. When making the reaction of “Bi”, the master of “up” said that some small details Riki did but the other brothers did not do it. It was not that Riki did more, but based on his years of dance experience, he subconsciously filled in, so that the action was The connection between the two appears to be more coherent and reasonable. The other up thinks that he has very good dance logic. For example, the kneeling motion of ak “kicks” him, the sequence and bounce of different parts of the body, visually conforms to the natural movement pattern. Without years of choreography experience and extremely rich dance language, it is difficult to realize these things, which is why his dance is full of texture. Yesterday’s Oshima Diary made me even more aware of the gap between him and other students. The essence is that when other students may still be stuck on the level of how to accurately complete the actions, he has reached the level of creation, interpretation and interpretation of roles. He does not necessarily understand and understands the meaning of the lyrics and the allusions behind it 100%, but he can build an image of a king and a clown based on the melody, rhythm, atmosphere, and his bold imagination. And his understanding of the clown, the clown’s innocence, coldness, and the joke that likes to mock people, is also quite accurate and three-dimensional. He has the artist’s innocence, the artist’s imagination, and the artist’s selflessness-he often has practiced dance and practiced too much. I saw the shadow of Zhu Deyong in him: creators should maintain a simple life, and people should learn to control themselves. This is a very rare quality. His language skills could not allow him to express his ideas completely and clearly, but his ability and talent surpassed the limitation of language and were finally conveyed to the brothers in the camp and off-screen. Of us. Riki Kondo, an artist born for dance.