I dare not say how perfect the ending can be under one person, how heart-warming and endless aftertaste, but the possibility of collapse is unlikely. In other words, according to the usual level of the second uncle, as long as the story is not collapsed, the story is rounded, and the character arc is completed, it is considered to be a perfect end. Those who deliberately pursue a perfect ending must die miserably. I guess the questioner must have been badly hurt by the giant (like me). In fact, there are really a lot of people who do bad things, and those who don’t have bad endings are like dragons and phoenixes among the people. The endings I’ve seen are truly artistic, and there are only two works that can be called timeless works that can be recalled at a glance: 1. Youyou Hakushu; 2. Infinite Living; In addition to HE, it is steady: 1. Refined pentagonal fighters, landing steadily. Everyone’s ending has been well explained. 2. Rurouni sword is quite good, but it can make people unconsciously smile at the corners of the mouth. The controversy is more controversial, but I personally think it’s good: 1. Slam dunk orgasm comes to an abrupt end, But the ending is still a long aftertaste, which has affected a generation. 2. The level of clamp in the wing chronicle is obvious to all. Although the ending of Feiwang is criticized by many people, it is not HE, but it is a good ending. A good masterpiece at the end. There are some, but that’s all when I think of it for the time being, and I won’t give more examples. There are too many unfinished ones: Naruto, Reaper, Demi, Tokyo Ghoul, Gintama… Few super hots can survive. Have you found anything in common? 1. The question of when the super long story ends. A typical example is that the author cannot control when the work ends due to subjective or objective issues, leading to the collapse of the structure. It is basically impossible to write a good work by hard writing. Objective model: Grim Reaper, originally Kubo wanted to end after Aizen’s Ichigo lost his power, so it would be great to be the ending directly! The peak of popularity, the sad and meaningful ending, is another masterpiece. Then the editor refused, and he dragged on for two more chapters. After the manifestation technique, the Quincy Master collapsed one by one. Directly gg. Subjective typical: Gintama, it is simply notorious. It ended after changing three places. The orangutan didn’t want to face it. How many times did you call the end? This is not to blame the editor, he must have never heard the story of the wolf coming. Contrast: Aunt Niu’s steelmaking, he just got up with the editor and ended up according to his own structure, perfect. This problem does not exist under one person visually. The length of the structure and when it will end are basically in the hands of the second uncle. The current progress and rhythm are also online. 2. A typical example of the author’s ability to support his ambition is Hokage. Naruto ends directly in the Payne chapter, Naruto ends when he becomes Hokage, and it has nothing to do with him. Kishimoto’s writing skills and screenwriting skills were already shaky in the Payne chapter, but thanks to his high popularity and the successive deaths of Jiraiya Kakashi, the powerful aura of four generations of appearances still successfully concealed Kishimoto’s complete lack of war and peace. Thoughts led to the fact that Naruto was reduced to a mouthful. As a result, Kishimoto had not finished in time. He had to engage in the Fourth World War. He did not have a suitable central idea and could not hold up a multi-line narrative. The final chapter of Naruto’s Otsuki became a joke. Excellent case: Slam dunk master, no idea, no drawing, drawing to the peak of the battle will end, no longer forced to add drama to lead to the collapse of combat power. After playing the mountain king, is it going to challenge the Asian Cup, NBA? Fortunately, Inoue gave up quickly. As for being under one person, it is a closed loop in itself, and the main line is root-seeking from beginning to end, and there is no routine to fight monsters and upgrades. The plot has never exceeded the level of the second uncle. 3. The author’s cultivation is actually the most important. The collapse of the giant actually came largely from Jianshan’s traumatic art, he did not want to understand what war is, what is the relationship between human races, and where is the future of mankind. He just used his own superb narrative. The ability and the storytelling make the reader think that he is in the atmosphere, but in fact his level of thinking is in the basement. On the other hand, excellent endings: 1. Steelmaking Steelmaking emphasizes human emotions from the beginning to the end, telling a story about what a person is. Family, friendship, love, and human feelings are three points into the woods. So in the end, I have been implementing this idea. The brothers return, the father leaves safely, the race is reconciled, the evil fades, and everyone has found the meaning of their lives. This is a perfect closed loop, and it is also a truly memorable work. Aunt Niu herself specially interviewed veterans and politicians for some emotional expression. She herself was low-key and modest. If the author herself did not think about it, she would not be able to write truly moving works. 2. The theme of the infinite residence is the absurdity of reality. Everyone is struggling in the whirlpool of fate and desire. The enemy of killing the father, the last swordsman, the survival of troubled times, everyone lives with their original sins, And hurt others all the time. In the end, everyone is very regretful. No one gets HE. The male protagonist will survive in the new world with his own immortal body, but the new world has no place of his own. He is a ghost of the old world, and those love, hatred, and hatred are gone with the wind. The storytelling master Shacun showed us the tragedy of an era. He did not deliberately sensationalize, did not artificially, did not forcefully add drama, but just told a story about an era. The other works are not unfolded one by one. Generally speaking, if the author himself does not even understand the subject of his own work, and does not have a deep understanding of life and society, he will not be able to impress the audience. Only relying on storytelling and storytelling skills can only produce exquisite garbage. It is impossible to say how deep the thoughts are under one person, but at present, there are very few works in Guomanli that have conducted in-depth research on traditional Chinese thought, and truly successfully apply the essence of Chinese culture to the paintings. They are not simple preaching, and do not rely on the flickering of mystery. , Like an old neighbor, telling you a story of the past, it is very meaningful. To sum up, as long as the second uncle is not forced by the editor too hard and can finish his work well, his ability and ideological level can definitely support a steady landing under one person. It is perfect when it comes to light.